Topping DM7 8-channel D/A processor Review

https://www.stereophile.com/content/topping-dm7-8-channel-da-processor

After I selected the DM7 as the output device in Roon and JRiver, I wanted to hear something new. The timing was just right. For many years, I have really enjoyed Holst’s St. Paul’s Suite whenever I have come upon it, especially, the third movement Intermezzo. Written to mark the opening of a soundproof music studio in St. Paul’s School for Girls in Hammersmith, it is filled delightfully with variants and interlacings of traditional melodies familiar from Holst’s other works, such as the Second Suite for Band. The quasi-Oriental section that opens the Intermezzo, with its solo-violin melisma, is perfectly placed and startling. I already had two recordings of the suite, but neither was especially satisfying, so I looked for a better version, in multichannel if possible. HRAudio. net listed three. In my auditions on Qobuz, one stood out, the one by Ensemble Esperanza. I ordered the SACD (Ars Produktion ARS 38 227, SACD), which arrived in time to be ripped and played back for the DM7’s debut in my system.

The clarity and spaciousness of the recording was wonderful, the dynamic range impressive, in stereo or multichannel. Both versions approached, but did not equal, similar achievements (in different music) of the much immersive 2L recordings by the Trondheimsolistene; still, the DM7 rendered a traditional and believable soundstage from the Ensemble Esperanza’s recording. I heard striking purity in Chouchane Siranossian’s solo violin, especially in that wonderful Intermezzo—and also in the suites by Grieg, Bridge, and Nielsen that fill out the disc.